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: Modern filmmakers reject larger-than-life heroism. They focus on micro-narratives, everyday conversations, and flawed, relatable characters.

Lijo Jose Pellissery’s Ee.Ma.Yau (2018) is arguably the greatest cinematic exploration of death and faith in Indian cinema. The film unfolds almost entirely during the preparations for a poor man’s funeral in a Latin Catholic enclave, skewering religious pomp, priestly arrogance, and the financial burden of ritual. It is hilarious, heartbreaking, and deeply, specifically Keralan.