La disubbidienza is a 1981 Italian-French co-production, a drama directed by Aldo Lado, which is based on the novel of the same name by celebrated Italian author Alberto Moravia.
user wants a long article about the 1981 film "La disubbidienza" (also known as "Disobedience" or "La Désobéissance"), focusing on its IMDb page and high-quality availability. I need to gather information about the film's plot, cast, production, critical reception, and where to watch it in high quality.
Lado avoids the sensationalism often found in late-70s and early-80s Italian erotic dramas. Instead, collaborating with cinematographer Dante Spinotti (who would later shoot Hollywood masterpieces like L.A. Confidential and Heat ), Lado wraps the film in a somber, muted palette.
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The film also explores the theme of faith and spirituality, raising questions about the role of the Church in modern society. Don Luca's journey serves as a metaphor for the search for meaning and purpose, as he grapples with the complexities of his faith and the demands of his conscience.
Behind the camera, the film boasts legendary composer , who provided a melancholic and sensual score, and cinematographer Dante Spinotti , whose work bathes the film in an elegant, if somber, light. The music, particularly the heartbreaking theme "Morire e Viverti" featuring the voice of Edda Dell’Orso, has been released in a remastered edition on CD.
| Aspect | Quality Assessment | |--------|-------------------| | | Excellent. Several high-quality Blu-ray releases exist (e.g., from Camera Obscura or Severin Films ). The 2K restoration from the original negative reveals Pinori’s nuanced color palette – amber sunlight, deep greens, and stark white linens. | | Sound Design | Remastered in DTS-HD Master Audio 2.0 (mono original). Morricone’s score is crisp, with no hiss or distortion. Dialogue is clear. | | Acting | Teresa Ann Savoy (known for Caligula ) is luminous as the aunt. The supporting cast includes Mario Ferrari as the distant father. All performances are restrained, avoiding Italian melodrama. | | Directorial Control | Lado avoids judgment. He shoots Luca’s rebellion without glorifying or condemning it. The pacing is deliberately slow (110 min runtime) – a high-quality choice that rewards patient viewers. | La disubbidienza is a 1981 Italian-French co-production, a
In the end, your best option for a satisfying experience is to track down a physical release. The Blu-ray is the definitive choice for quality, while the official DVD is a reliable second. With some effort, it's a flawed but fascinating gem that can be unearthed and appreciated in all its Morricone-scored, Spinotti-shot glory.
The legendary composer Ennio Morricone provides a score that enhances the film’s melancholic and sensual tone, making it essential viewing for fans of his work.
Over the years, "La Disubbidienza" has developed a loyal following, with many regarding it as a classic of world cinema. The film's influence can be seen in many other works of cinema, and its themes of resistance, individual freedom, and moral conviction continue to resonate with audiences today. Lado avoids the sensationalism often found in late-70s
Upon its release in 1981, "La Disubbidienza" received widespread critical acclaim, with many praising the film's thought-provoking themes, strong performances, and high-quality production values. The film holds a respectable rating on IMDb, with users praising its gripping storyline, well-developed characters, and powerful themes.
Moravia’s novel has been adapted several times. Lado’s version is often ranked second only to the 1998 French TV version. It is superior to the 1974 erotic adaptation ( La sbandata ) because Lado prioritizes psychological realism over exploitation.
Zinny perfectly captures the lean, brooding, and hyper-sensitive nature of a youth at war with his environment. His performance relies heavily on physicality and silent, expressive gazes.
This brings us to the second part of our keyword: "high quality." For decades, watching La disubbidienza has been a frustrating experience. Multiple IMDb reviewers explicitly mention the poor quality of the copies they managed to find. One user from 2016 describes a copy found on YouTube as "sabotaged," noting that images are often impossible to distinguish clearly, the soundtrack is "awful," and at times the music completely overpowers the dialogue. Another review from 2019 mentions watching a "very crapped VHS transfer," which was a huge disappointment.
Barbara Alberti, Amedeo Pagani, and Aldo Lado (adapted from Alberto Moravia's novel)