The narrative centers on the "ups and downs" of a lingering love story between Liu Yin and a university student. While specific plot beats are sparse in mainstream databases, the film is categorized as a romantic drama and is often cited in discussions regarding early 21st-century Chinese independent or LGBTQ-themed cinema due to its focus on female relationships.
The story begins not in a factory, but in a freak meteorological event. The spring of 2007 on Wu Shan (Witch Mountain) in Yunnan was brutal. A late frost, followed by an arid, wind-scorched April, decimated the expected harvest. Ancient gushu (old tree) tea plants, some over 500 years old, produced barely 30% of their usual yield. The leaves that did emerge were stunted, curled inward like a sparrow’s beak, and coated in a strange, powdery white frost-turned-bloom.
"Chu Que Wu Shan" is a sophisticated piece of musical storytelling. If you love the sound of Chinese classical fusion but want something more restrained and ballad-focused, this 2007 release is a must-add to your playlist. chu que wu shan 2007
Portrays Liu Yin, a young female writer. Deng Jiajia: Portrays a young female college student. Synopsis and Plot
Despite its failure to reach audiences, Chu Que Wu Shan remains a fascinating footnote in Chinese film history. It represents an era when independent Chinese filmmakers were beginning to explore previously taboo subjects—including same-sex love—with increasing openness. The film's bold marketing campaign, which explicitly framed the story as a "lesbian version of Brokeback Mountain " and openly discussed LGBTQ+ themes, was highly unusual for its time in mainland China. The narrative centers on the "ups and downs"
The implication is profound: After experiencing the ultimate, nothing else compares. By using this phrase for a 2007 film about a lesbian relationship, the director immediately elevates the romance from a "taboo affair" to a classical, tragic, and epic love. The "Wu Mountain" of the title becomes the female body; the clouds become the fleeting moments of intimacy. The film argues that this love, though socially invisible, is the standard by which all other loves should be judged.
: For a more analytical post, you could position this as an early 2000s example of Chinese "Girl Love" (GL) cinema, looking at how the film navigates intimate female relationships within its cultural context. Draft Post Idea The spring of 2007 on Wu Shan (Witch
While the film is beloved by many for its atmospheric cinematography (the verdant greens of the garden contrasting with the pale skin of the actresses), it is not without its critics. Upon searching "Chu Que Wu Shan 2007," you will find split opinions.
A young, established female writer who carries an air of artistic melancholy. A College Student (played by Deng Jiajia):
This line expresses deep, unwavering devotion—implying that after experiencing something as magnificent as the clouds of Mount Wu (a metaphor for a great love), nothing else can compare. This poetic title sets the tone for the series, which is a melancholic and romantic period drama.
Produced at a time when indie film funding in mainland China was highly volatile, Except Wushan relies heavily on mood, lighting, and performance rather than grand sets. Cinematic Element Creative Execution