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However, a purely Adornian view fails to account for audience agency. Stuart Hall’s Encoding/Decoding model offers a corrective. Hall posited that while producers encode dominant ideologies into media texts, audiences are not passive. They can decode the message through three positions:

: A TV show produced in South Korea can become a global phenomenon in days, bridging cultural gaps.

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This is the most helpful part of the paper. It explains why we watch sad movies or horror films.

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Short-form, user-generated content (UGC) on platforms like TikTok and YouTube dominates, often shaping pop culture trends faster than traditional media.

As AI generates stories, algorithms curate our feeds, and global creators compete for our eyeballs, one truth remains: storytelling is a fundamental human need. Whether it is a 3-hour epic in an IMAX theater, a 30-second cat video on TikTok, or a 10-hour audiobook on Spotify, the medium changes, but the magic endures. They can decode the message through three positions:

Looking ahead, artificial intelligence (AI) is set to redefine the creation and consumption of entertainment content. AI tools are already streamlining post-production, generating visual effects, and optimizing script structures. As generative AI matures, we may soon see hyper-personalized media—films or games that adapt their storylines, music, and visuals in real time based on the viewer’s emotional responses.