Janine Lindemulder Mrs Behavin [new] Jun 2026

Written by Rick Founds
Links to contributors: Rick Founds

This has been one of my favorite songs for years. I contacted Rick back in 2002 about collaborating, partly because I had sung this song so many times. The recording is from Rick's Praise Classics 2 CD. - Elton, September 12, 2009


Lyrics

Lord, I lift Your name on high.
Lord, I love to sing Your praises.
I'm so glad You're in my life;
I'm so glad You came to save us.

You came from Heaven to earth
To show the way.
From the Earth to the cross,
My debt to pay.
From the cross to the grave,
From the grave to the sky;
Lord, I lift Your name on high.

Lord, I lift Your name on high.
Lord, I love to sing Your praises.
I'm so glad You're in my life;
I'm so glad You came to save us.

You came from Heaven to earth
To show the way.
From the Earth to the cross,
My debt to pay.
From the cross to the grave,
From the grave to the sky;
Lord, I lift Your name on high.

You came from Heaven to earth
To show the way.
From the Earth to the cross,
My debt to pay.
From the cross to the grave,
From the grave to the sky;
Lord, I lift Your name on high.

You came from Heaven to earth
To show the way.
From the Earth to the cross,
My debt to pay.
From the cross to the grave,
From the grave to the sky;
Lord, I lift Your name on high.



Copyright © 1989 Maranatha Praise, Inc (used by permission)

Janine’s screen presence and tattoos became iconic markers of the film.

Her transition to adult films came in , when she made her debut in Andrew Blake’s Hidden Obsessions . The film was an immediate success, and Lindemulder soon signed an exclusive contract with Vivid Video , where she became one of the company’s famous “Vivid Girls.” Over the course of her career, she would appear in more than 50 films for Vivid.

When "Mrs. Behavin" debuted in the late 1990s, it tapped into the popular "desperate housewife" trope long before it became a mainstream television staple. The film centers on Janine’s character navigating the complexities of suburban boredom and repressed desires. Unlike the standard fare of the era, the movie utilized cinematic lighting, a coherent script, and Janine’s unique ability to blend girl-next-door charm with an intense on-screen presence.

The production featured a large ensemble cast that blended established industry veterans with rising stars of the mid-2000s. The full credits on IMDb detail an all-star lineup for the era:

To the uninitiated, "Janine Lindemulder Mrs Behavin" might sound like a bizarre cipher. But to those who remember the golden age of "couples-friendly" adult cinema, it represents a perfect storm of storyline, persona, and performance. This article dives deep into who Janine Lindemulder is, what "Mrs. Behavin" refers to, and why this keyword continues to surface in forums, collector sites, and retro reviews over two decades later.

Janine Lindemulder's first appearance in Penthouse came in December 1987, where she was named "Pet of the Month." She would go on to appear in the magazine multiple times over the next decade and was a runner-up for "Pet of the Year" in 1990.

This review focuses on performance, production quality, and Janine’s unique screen presence during her post- Jenna’s American Sex Star era.

For fans of Janine Lindemulder, this title represents the peak of her "feature" era. It showcased her not just as a performer, but as a lead actress capable of carrying a full-length production. The film’s success was a major factor in her becoming one of the most recognizable faces in the world, eventually leading to her famous appearance on the cover of Blink-182’s Enema of the State. Janine Lindemulder’s Signature Style

In an era dominated by streaming and algorithm-driven content, one might wonder why a keyword tying a retired performer to a two-decade-old film still generates traffic. The answer lies in three distinct phenomena:

The adult entertainment industry has evolved through distinct eras, shifting from the grainy celluloid of the 1970s "Golden Age" to the high-gloss, director-driven feature productions of the late 1990s and 2000s. Few figures bridge these transitions as dynamically as . Known globally as a pioneering performer, an AVN Hall of Fame inductee , and a mainstream pop-culture icon—most famously gracing the cover of Blink-182’s multi-platinum 1999 album Enema of the State —Lindemulder defined an entire aesthetic of the era.

By the mid-2000s, Janine was an established industry veteran. The production of Mrs. Behavin' in 2005 marked a high-profile project during her tenure with Digital Playground.

Lead performer; featured in 4 distinct scenes including the headline three-way.

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: Leading industry performers including Erik Everhard, Scott Nails, and Mandingo.