-2000- [upd] — Taxi 2
: The film was a massive box-office success in France and helped popularize the French "banlieue" action subgenre, known for its blend of slapstick humor and intense vehicle stunts. Taxi in the Year 2000 Pop Culture
| Actor | Role | Description | | :--- | :--- | :--- | | | Daniel Morales | The foul-mouthed but big-hearted Marseille taxi driver. | | Frédéric Diefenthal | Émilien Coutant-Kerbalec | The accident-prone, clumsy but determined police inspector. | | Marion Cotillard | Lilly Bertineau | Daniel's beautiful and sexually frustrated fiancée. | | Emma Sjöberg | Petra | Emilien's love interest. | | Bernard Farcy | Commissaire Gérard Gibert | Emilien’s perpetually exasperated boss. |
With the press of a few buttons, the modified Peugeot 406 in features: An aggressive, wide-body aerodynamic kit.
The modifications include retractable wings, a rear spoiler, a rocket booster, and a chassis that can transform from a standard saloon into a low-to-the-ground race car. It also features a full suite of gadgets, including a navigation system, a secret weaponry arsenal, and a black, almost impenetrable armor mode that can only be activated by voice command ("Ninja!"). The 406 became a cultural icon in France and around the world, representing the fantasy of the ultimate "sleeper" vehicle—a powerful monster hidden beneath a deceptively ordinary exterior. taxi 2 -2000-
Upon its release, Taxi 2 received mixed-to-positive reviews from critics but was nearly universally embraced by audiences. On , it holds an approval rating of around 70%, praised for its improved pacing and action sequences but critiqued for its formulaic plotting and reliance on slapstick humor.
Despite having a "paper-thin" plot, the film was a massive commercial success.
The spectacularly incompetent, over-confident head of the Marseille police. His oblivious management styles provide the bulk of the film's satirical humor. : The film was a massive box-office success
Released in 2000, Taxi 2 is the high-octane sequel to Luc Besson’s smash-hit 1998 French action-comedy. Directed by Gérard Krawczyk (with Besson writing and producing), the film reunites audiences with the oddest duo in Marseille: the hot-headed taxi driver Daniel Morales (Samy Naceri) and the hopelessly clumsy police inspector Daniel (often called Émilien, played by Frédéric Diefenthal).
Critically, however, the film is often viewed as the beginning of the franchise's descent into self-parody. Critics argued that the script was lazier than the first, relying on "gas pedal" jokes and repetitive gags. Yet, this criticism somewhat misses the point of the film’s intent. Taxi 2 was designed as a crowd-pleaser, a high-energy farce that demanded little of its audience other than to sit back and enjoy the ride. Its legacy is that of a "comfort film"—a movie that is frequently re-aired on French television and remains a staple of youth culture. It captured a specific moment in time when European cinema was experimenting with glossy, high-budget formats usually reserved for American studios.
[The Dynamic Duo] / \ Daniel Morales Émilien Coutant-Kerbalec (Samy Naceri) (Frédéric Diefenthal) | | [The Speed Cabbie] [The Clumsy Detective] | | Marion Cotillard | Lilly Bertineau |
For the true fans, here is some insider knowledge about the film:
The location choice of Paris is pivotal. While the original film utilized the winding streets of Marseille, Taxi 2 utilizes the wide boulevards and landmarks of the French capital. This allows for grander set pieces, most notably the sequence involving the French Army’s intervention. The choreography of the car chases is faster and more aggressive, utilizing quick cuts and dynamic camera movements to enhance the sense of speed. However, the film also leans into the era’s reliance on practical effects combined with early CGI, which gives some sequences a charmingly dated, almost video-game-like quality that appeals to nostalgia. The visual language screams "technological optimism," mirroring the pre-9/11 Western optimism regarding global connectivity and modernization, embodied here by the partnership with the Japanese delegation.
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