Paul Simon Discography 19652023 Flac 88 Better |verified| Jun 2026
Simon’s later work is marked by sonic experimentation and mature reflection.
Paul Simon 's solo discography from covers 15 studio albums, ranging from his folk beginnings to his final spiritual exploration in Seven Psalms .
This is the album every audiophile needs in . Why? Because the original analog master was recorded at A&R Studios and mixed with African musicians in London. The 1986 CD was thin; the 2012 25th Anniversary Edition (96/24) is a revelation.
If you are looking for high-fidelity audio, his catalog has been widely remastered. Albums like Graceland and Bridge Over Troubled Water (with Simon & Garfunkel) are frequently available in or 88.2kHz formats through high-res music retailers. Paul Simon Solo Studio Albums (1965–2023) Year Album Title Notable Tracks 1965 The Paul Simon Songbook "I Am a Rock," "The Sound of Silence" 1972 Paul Simon "Me and Julio Down by the Schoolyard" 1973 There Goes Rhymin' Simon "Kodachrome," "Loves Me Like a Rock" 1975 Still Crazy After All These Years "50 Ways to Leave Your Lover" 1980 One-Trick Pony "Late in the Evening" 1983 Hearts and Bones "The Late Great Johnny Ace" 1986 Graceland "You Can Call Me Al," "Diamonds on the Soles of Her Shoes" 1990 The Rhythm of the Saints "The Obvious Child" 1997 Songs from The Capeman "Adios Hermanos" 2000 You're the One "You're the One" 2006 Surprise "Father and Daughter" 2011 So Beautiful or So What "The Afterlife" 2016 Stranger to Stranger "Wristband" 2018 In the Blue Light "Can't Run But" (Re-recordings) 2023 Seven Psalms "The Lord" High-Resolution & FLAC Quality
From You're the One (2000) and Stranger to Stranger (2016) up to his contemplative final statement Seven Psalms (2023), Simon's later work relied heavily on microtonal textures, unconventional instruments, and deep, quiet spaces. paul simon discography 19652023 flac 88 better
: Most of Simon’s 1970s and 80s work was remastered from original analog tapes for these hi-res releases. Recommended High-Resolution Versions
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For listeners seeking the highest fidelity, this era is best experienced in High-Resolution FLAC Simon’s later work is marked by sonic experimentation
: Graceland (1986) is often cited as one of his best-produced albums and is a staple for testing high-end audio equipment.
This reggae-influenced gem was originally recorded on 16-track analog. The from Sony Japan reveals Eddie “Stats” Gomez’s upright bass with texture you’ve never heard. Recommendation: Qobuz 96kHz/24-bit.
: A continuous, 33-minute acoustic suite intended to be heard as a single movement, marking his 15th solo studio album. The High-Resolution Difference (FLAC 88.2kHz/24-bit)
Simon’s music is famously dense. The Rhythm of the Saints , for example, features dozens of Brazilian drummers playing simultaneously. On a standard CD or streaming MP3, these frequencies can clump together into a muddy wall of sound. In an 88.2 kHz FLAC environment, the soundstage widens. You can easily isolate the acoustic guitar on the left channel from the percussion on the right, creating a holographic, three-dimensional listening experience. 3. Tonal Realism and "Air" If you are looking for high-fidelity audio, his
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Before and alongside his massive success with Art Garfunkel, Simon was experimenting with his solo voice. The Paul Simon Songbook (1965), recorded in London with just a microphone and an acoustic guitar, represents the rawest entry in his catalog. The focus here is entirely on string transient response and vocal intimacy. 2. The Genre-Hopping Masterclasses (1972–1980)
The acoustic guitars on "American Tune" lose the "brittle" digital edge often found on 1980s CD pressings. In 88.2kHz, the resonance of the guitar body feels woody and physically present. The gospel backing vocals on "Loves Me Like a Rock" spread wider across the stereo image, allowing you to isolate individual voices in the choir. Still Crazy After All These Years (1975) Key Tracks: "50 Ways to Leave Your Lover", title track