Run Dmc- Jason Nevins - It-s Like That -raxon E... _verified_ · Tested

In the world of music, there are few things more exciting than a well-crafted mashup. When done correctly, a mashup can breathe new life into familiar songs, creating a fresh and exciting sound that's greater than the sum of its parts. One such mashup that has stood the test of time is the iconic blend of RUN DMC's "It's Like That" and Jason Nevins' "It's Like That (Raxon Edit)".

What happened next was an unforeseen phenomenon. The record was officially released and within a year, it had become a sleeper hit of epic proportions. The remix, officially credited as Run-D.M.C. vs. Jason Nevins, shot to number one on charts in Australia, Germany, Ireland, Finland, New Zealand, and the United Kingdom. It sold an estimated five million copies worldwide, placing it among the best-selling singles of all time. However, the story behind the success is laced with controversy. While the remix revived Run-DMC's flagging career and introduced them to a new generation of ravers, reports emerged that Nevins was paid a flat fee (rumored to be as low as $5,000) for his work, receiving no royalties from the global smash, a fact that reportedly soured his relationship with the group.

The track grew in mythic status because of how it was distributed—or rather, not distributed. Kept as an unreleased weapon, it became a highly sought-after track ID heavily circulating on platforms like SoundCloud and YouTube.

: American producer Jason Nevins remixed the track by layering the hip-hop vocals over an energetic, mid-tempo house music foundation. This version became a global commercial phenomenon, dominating charts worldwide and introducing the hip-hop pioneers to a new club-going generation. RUN DMC- Jason Nevins - It-s Like That -Raxon E...

| Element | Run-DMC (1983) | Jason Nevins (1997) | Raxon (2020s style) | |--------|----------------|----------------------|----------------------| | Tempo | ~105 BPM | ~130 BPM | ~124 BPM | | Genre | Old-school hip-hop | Big beat / breakbeat | Tech-house / minimal | | Vocals | Full verses | Chopped phrases, loops | Filtered, atmospheric chops | | Bass | Simple drum machine | Filtered, squelchy | Deep, rolling sub-bass | | Energy | Laid-back but confrontational | High-energy peak time | Hypnotic, groovy | | Audience | Hip-hop heads | Club/rave mainstream | Underground electronic |

The iconic vocal lines— "Unemployment at a record highs" and "But it's like that, and that's the way it is" —are chopped, filtered, and spaced out to create massive build-ups before dropping back into a deep groove. Dancefloor Impact and DJ Support

: It stands as one of the most successful examples of bridging traditional hip-hop with electronic dance music (EDM), revitalizing RUN DMC's catalog for late-90s rave culture. 3. The Raxon Edit: Deep, Hypnotic Techno In the world of music, there are few

just gave it a futuristic facelift. Old school meets the new wave. Who remembers the original 1997 remix battle ? 👟🔥

To understand the impact of the , it helps to track the multi-generational journey of the source material:

In 1988, RUN DMC, a pioneering rap group from Hollis, Queens, teamed up with producer Jason Nevins to create a mashup that would become one of the most iconic songs of the late 1980s: "It's Like That (Raxon Edit)". The track combined RUN DMC's signature rap style with Nevins' innovative production techniques, resulting in a fusion of hip-hop, rock, and pop that captivated audiences worldwide. What happened next was an unforeseen phenomenon

Fast-forward to 1988, when Jason Nevins, a rising star in the DJ and production scene, decided to create a mashup of RUN DMC's "It's Like That" and Raxon's 1984 hit "Mary Jane". Nevins' vision was to bring together the best elements of both tracks, blending RUN DMC's energetic rap style with Raxon's infectious hook. The result was a high-energy dance track that injected new life into both songs.

Remixing a track that everyone knows by heart is a double-edged sword. If it sounds too similar, it’s redundant; if it sounds too different, it alienates the audience. Raxon threads the needle perfectly. He creates a "secret weapon" for DJs—a track that takes a few seconds for the crowd to recognize before triggering massive nostalgia, yet delivered in a sonic language that fits seamlessly into a 2020s underground techno or house set.